How Are Stage and Film Versions of a Drama Similar

How Are Stage and Film Versions of a Drama Similar


If you’ve watched a lot of interviews with actors and directors, then you already know that acting is much more than circuitous than it might seem to the boilerplate civilian.

The context of each performance only serves to complicate things even further.

Yes, information technology’s adequately obvious that live theatre and film acting require different approaches, just fifty-fifty more interesting are the similarities between theatre and picture show when it comes to how actors prepare and ultimately perform.

Since none of us here on the LNGFRM staff are actors ourselves (except for Jerry, who we all know wasn’t really ill that one time he chosen out to get a 4-twenty-four hour period weekend), we got in touch on with Jeannine Friedrich, a professional actor and all-around expert-level performing creative person who has go a big name throughout Europe and her native Switzerland by turning in killer performances both on phase and on screen.

Friedrich has worked with many acclaimed European directors and producers, and she has big plans for future projects.

Friedrich explained her training process likewise as the importance of chemistry with beau cast members and much, much more. You’ll find our full interview with Friedrich beneath.

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Is your character prep the same betwixt screen and stage performances?

Friedrich:

My character preparation is basically the aforementioned for screen and phase, as the difference for me lies more than in the execution of the character’s performance than in the training of that functioning.

Either way, there is a lot of research that goes into a character’s environment, culture, and background, every bit well as spending an extensive amount of time working with and analyzing the script where at that place is loads of hidden information almost the character.

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If the play or musical is an iconic one that people know, at that place is a certain expectation for the character’s functioning then there would be additional research on past performances to really sympathise the manner and the writer’due south intention for the piece.

Do y’all experience that motion-picture show acting is like to phase acting in many ways?

Friedrich:

I would say the preparation of the work, the content, is like in terms of personal connection and methods used to perform, merely the execution, in terms of facial expressions, gestures, and voice, may differ.

I am much more than focused on the script for stage acting, working extensively on the enunciation and diction likewise as existence word-perfect, whereas with screen acting I am focusing on being subtle and every bit natural and real-to-life as possible.

similarities between theatre and film

Practice y’all feel that both stage and screen acting take their own benefits and challenges?

Friedrich:

Aye, absolutely. Simply speaking, phase performances are a one-time execution from beginning to stop. Stage acting is a alive functioning whereas with screen acting in that location can be several takes per scene.

So the benefits and challenges are, in a way, the same thing. Having to perform something live is an astonishing experience only also very challenging every bit y’all basically need to exist over-prepared and flexible with the fabric, able to act on the spot if annihilation goes incorrect.

It can also exist challenging when you are performing an iconic character as the audition has loftier expectations since they are very familiar with information technology. You cannot permit yourself to make mistakes with the script or your blocking.

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With screen acting and the possibility to take more takes per scene, you lot can really immerse and relax yourself into the grapheme, only it is also challenging as every little motility, audio, and pore is captured. You’ll notice immediately if there is truthfulness lacking in the performance. You also demand to exist very flexible with lines as a lot of times at that place are last-infinitesimal changes made.

What is your process for memorizing lines and feeling comfortable with a script?

Friedrich:

There are many dissimilar techniques I utilise depending on how much time I have and the size of the script.

If I have enough time and the script is long, I ordinarily reread the script and the specific parts over and over again and do all the character work first. Normally, the lines are memorized that mode almost automatically.

Other techniques I employ are reading the text out loud with no inflection, writing the text downward several times, using images and ideas to remember what comes side by side, recording and listening back or recording the other characters’ lines with breaks or memorizing backward, starting with i line, reading and repeating it off book until information technology is fully memorized then gradually adding another line and so along. All in all, repetition is key.

Eventually, when I am able to say all the lines at loftier speed without a pause, I know I am fully prepared.

Is in that location ever a sense of camaraderie between swain actors on a project?

Friedrich:

I have been lucky plenty to be part of projects and companies such equally The Galli Theater and The Fundamental Theater Project where this has been the case.

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But information technology doesn’t always work that style. It really comes down to professionalism. Normally though, with projects that have been extensively cast, this chemistry is a major criterion for choosing an actor, especially for bigger roles.

similarities between theatre and film

When you lot first started performing on-photographic camera, what surprised you most about the procedure?

Friedrich:

I guess for me, rather than existence surprised, I was amazed about the importance of the technicality. There are then many other factors like lite, sound, cameras, and lenses that make for just one good take that in the end, information technology’southward non just y’all and your acting. As well, then much of the storytelling happens in post-production. In that location are and then many takes and scenes that you volition never get to see on screen.

In a higher place all else, what gets y’all excited to take on a new role?

Friedrich:

It’s the connexion to the story and the graphic symbol. Something that just actually resonates with me and makes me desire to be a part of it.

It is always exciting to get to know something new. It feels like when you lot pack your suitcase to go on vacation. You know the destination and where you lot are going and yous are preparing yourself for it, but you don’t know what the journeying will exist or the things that you will feel. I honey that anticipation of a new story, the new lessons and new challenges information technology will offer.

How Are Stage and Film Versions of a Drama Similar

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