Which Description is an Example of Direct Characterization Apex

Definition of Direct Label

Straight characterization means the manner an author or another graphic symbol within the story describes or reveals a grapheme, through the employ of descriptive adjectives, epithets, or phrases. In other words, straight characterization happens when a writer reveals traits of a graphic symbol in a straightforward manner, or through comments made by some other character involved with him in the storyline.

Straight characterization helps the readers sympathize the type of character they are going to read about. For instance, in Arthur Miller’s
The Crucible, he describes his character John Proctor in this way: “He was the kind of man – powerful of torso, even-tempered, and not hands led – who cannot refuse support to partisans without cartoon their deepest resentment.”

Examples of Direct Characterization in Literature

Case #1:
The Most Unsafe Game
(By Richard Connell)

“The offset affair Rainsford’s eyes discerned was the largest man Rainsford had ever seen – a gigantic creature, solidly made and black bearded to the waist. …

” ‘Ivan is an incredibly potent fellow,’ remarked the general, ‘but he has the misfortune to be deaf and dumb. A elementary swain, but, I’m agape, like all his race, a scrap of a savage.’ “

The to a higher place passage shows a good instance of a direct label. Here Zaroff has explicitly described another character Ivan in the story
The Nigh Dangerous Game, leaving readers with no more than questions nigh him. Ivan is a muscular, huge man, having a long blackness beard. He is deaf and dumb, all the same strong, Zaroff says.

Example #ii:
The Old Man and the Sea
(by Earnest Hemingway)

“The old man was thin and gaunt with deep wrinkles in the back of his neck. The brown blotches of the benevolent skin cancer the lord’s day brings from its reflection on the tropic sea were on his cheek … Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated.”

Hemingway uses the method of direct characterization to draw the one-time man’s personality traits, peculiarly the vivid optics of his main character, the quondam man, Santiago in his novel.

Instance #iii:
Hedda Gabler
(past Henrik Ibsen)

“MISS JULIANA TESMAN, with her bonnet on a carrying a parasol, comes in from the hall, followed by BERTA, who carries a bouquet wrapped in paper. MISS TESMAN is a comely and pleasant- looking lady of about sixty-five. She is nicely just just dressed in a grey walking-costume. BERTA is a middle-aged adult female of plain and rather countrified appearance…GEORGE TESMAN comes from the right into the inner room … He is a middle-sized, immature-looking man … He wears spectacles, and is somewhat carelessly dressed in comfortable indoor clothes.”

In this excerpt, Henrik Ibsen has described three characters: Miss Tesman, Berta, and George Tesman. He has clearly shown their personalities and mannerism through straight characterization.

Case #4:
Pride and Prejudice
(past Jane Austen)

“Mr. Bingley was expert-looking and gentlemanlike; he had a pleasant eyebrow, and easy, unaffected manners. … he was discovered to be proud, to exist above his company, and above being pleased; and not all his large estate in Derbyshire could and then salve him from having a virtually forbidding, disagreeable eyebrow, and being unworthy to be compared with his friend.”

Mr. Bingley, the romantic interest of Jane, and his friend, Mr. Darcey, are described in this excerpt through direct characterization. She has admired Mr. Bingley for his pleasant countenance, comparing him to Mr. Darcy.

Instance #5:
The Canterbury Tales
(by Geoffrey Chaucer)

“He yaf nat of that text a pulled hen,
That seith that hunters ben nat hooly men,
Ne that a monk, whan he is recchelees…
His listen was balled, that shoon equally any glas,
And eek his face, as he hadde been enoynt.
His eyen stepe, and rollynge in his heed,
That stemed as a forneys of a leed;
His bootes souple, his hors in greet estaat.”

Through monk’south portrait, his physical and social life, readers see a satire of the religious figures that should live a proper monastic life of hard work and deprivation. This is the achievement of the description of Chaucer that he has described a grapheme through direct characterization.

Role of Direct Characterization

Direct characterization shows traits as well as motivation of a grapheme. Motivation can refer to desires, love, hate, or fear of the character. It is a crucial office that makes a story compelling. Descriptions about a character’south beliefs, appearance, way of speaking, interests, mannerisms, and other aspects describe the interest of the readers and make the characters seem real. Also, good descriptions develop readers’ stiff sense of interest in the story.